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Tuesday, February 10, 2009
Monday, February 9, 2009
Sunday, January 18, 2009
Sunday, August 17, 2008
Old good times, when the games were nice and friendly and the Russia was big. Maybe it's all about melancholic times, maybe not. But we all know u can't bring the past back.
... a classical Russian game known as Perestroika, released somewhere around 1990.
Friday, April 18, 2008
„Sunday Times “Victim of Truth is as good as The Miseducation of Lauryn Hill..”
„Blues & Soul “Soul queen in the making”
„Notion “An intelligent album with influences that reflect her Nigerian roots and well as her time in the Western world.”
„Touch “Nneka’s debut album is nearly as cool as her hair-do!”
Born in Nigeria, Nneka relocated some 10,000 miles to Hamburg, Germany, at the age of nineteen to pursue a career in singing along side a degree in Anthropology. Having landed in the German port, the singer hooked up with DJ and Hip-Hop beatmaker DJ Farhot and ever since, their strong musical relationship has been the backbone of Nneka’s success. Her influences reflect her younger days in Nigeria as well as her time in the Western world. The distance she has travels shines through in her voice as does her diverse musical influences. She cites famous compatriot Fela Kuti and legend Bob Marley as well as contemporary rappers Mos Def, Talib Kweli, Mobb Deep and Lauryn Hill as key influences in her pursuit of musical recognition.
After finishing her debut EP “The Uncomfortable Truth” she toured Europe, commencing a long live schedule, performing to up to 6000 people at her later gigs, this young talent supported the likes of Femi Kuti, Seeed, Sean Paul and Gnarls Barkley. Performing all over Europe, from her adopted hometown of Hamburg to Holloway Prison in London.
Nneka’s album “Victim Of Truth” was released in September 2006 to rave reviews from the music press. The songs on the album provide a range of sounds from deep soulful ballads like ‘Confession’ to funky Hip-Hop tracks like ‘Stand Strong’ to ‘Changes’, which is a modern reinvention of the 90s UK soul sound.
Despite her Nigerian background, Nneka’s sound is strongly connected with her European journey.
“The way they dress, the way they carry themselves, their religion. So many things that are important to me are not important to them. For two years I was overwhelmed.”
This difference in ethical outlook comes to the fore in her music, with her social responsibility to her homeland of Nigeria laying heavy on her mind.
“I get inspired when I take a severe look at the things going on in our world today; especially in my country. How people live, suffer and endure pain, politics and religion, when I see all that man has evoked and created out of self-centeredness and devotion to material things”.
Nneka’s voice strikes an eerie balance between rage and pain which mirror’s the abrasion of two continents, Europe and Africa, within Nneka’s life so far. Nneka reiterates her humility in the face of her musical talents.
“I do not see myself as a performer but as somebody who shares her heartfelt feelings with others. I have fortunately, by the grace of God, the opportunity to sing my message to you on stage.”